star wars shift from film to digital techniques

The environments were lit and rendered from the perspective of the camera to provide parallax in real-time, as though the camera were really capturing the physical environment with accurate interactive light on the actors and practical sets. “We are proud of what was achieved and feel that the system we built was the most efficient way to bring ‘The Mandalorian’ to life.” This tech partnership also includes Fuse, Lux Machina, Profile Studios, NVIDIA, and ARRI, and ILM announced that it is making StageCraft available as an end-to-end virtual production solution to the industry.īryce Dallas Howard directing “The Mandalorian”ĬG environments created by ILM played back interactively on the LED walls, and edited in real-time during the shoot, which allowed for accurate tracking and perspective-correct 3D imagery rendered at high-res via systems powered by NVIDIA GPUs. “We’ve been experimenting with these technologies on my past projects and were finally able to bring a group together with different perspectives to synergize film and gaming advances and test the limits of real-time, in-camera rendering,” said Favreau in a prepared statement. After making the virtual production leap on “The Lion King” with the help of virtual reality and the real-time game engine, director Jon Favreau took it a step further with Industrial Light & Magic in the making of his Disney+ “Star Wars” series, “ The Mandalorian.” The VFX studio created an innovative virtual production workflow called ILM StageCraft, which allowed the filmmakers to generate complex and exotic digital backdrops in real-time (using Epic’s Unreal game engine) while shooting the eight-episode bounty hunter series at Manhattan Beach Studios in L.A.

Star wars shift from film to digital techniques